In urban environments, nature is often introduced into homes as a means of decoration or relaxation. However, this raises a crucial question: what does it mean to truly bring nature indoors? This project, titled "Blooming," seeks to explore the delicate boundary between nature and artificial objects and to reflect on how design can retain the vitality inherent in natural forms.
The boundary between nature and human-made objects is often defined by the presence or absence of intentionality. While nature naturally possesses vitality and life force, everyday objects lack this liveliness. My design process explores how geometric forms, such as boxes, can evolve to exude a sense of vitality akin to that of nature.
Focusing on five natural elements, I selected plants, candles, and wind chimes to serve as the foundation of this concept. The collection comprises three objects: a moss pot, an oil candle, and a wooden wind chime. Each item is designed with sustainability in mind, using natural materials like glass and wood, handcrafted at the Brooklyn Glass Workshop and shaped with woodworking tools such as the lathe.
The moss pot features an elongated shape that encourages growth with minimal water, while its front-facing handle allows easy interaction. The oil candle's metal top reflects a warm glow, enhancing the soothing ambiance. Lastly, the wind chime incorporates a repetitive design that mimics the movement and sway of nature.
This project celebrates the vitality of nature within the geometric constraints of man-made forms, with continued efforts to refine each object by improving their materials and functionality.
